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Music Tourism Market

研究執行與發布:TechSci Research · 發布日期 2026-05-01 · 182 頁
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出版商 TechSci Research產業別 Consumer Goods & Retail出版日期 2026-05-01頁數 182報告編號 TSR-28556

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Music Tourism Market – Global Industry Size, Share, Trends, Opportunity, and Forecast, Segmented By Event (Concert, Festival, Others), By Age Group (18 And Less, 18 - 34 Years, 34 - 54 Years, 55+ Years), By Booking Mode (Direct Booking, Travel Agents, Online Travel Agencies), By Region & Competition, 2021-2031F

報告摘要

Market Overview The global music tourism market is projected to expand significantly, from USD 6.99 billion in 2025 to USD 12.53 billion by 2031, achieving a compound annual growth rate of 10.22%. This industry involves individuals traveling primarily to attend live music events, such as concerts and festivals, or to explore music-related historical sites. Its growth is largely fueled by the rising "experience economy," where consumers prioritize unique events over tangible goods, alongside the increasing number of international music festivals that encourage global travel. Additionally, government-led initiatives aimed at promoting cultural heritage and improving local tourism infrastructure play a crucial role in supporting this market's expansion. Nevertheless, the sector faces a significant hurdle due to escalating operational and travel expenses, which can lead to higher ticket prices and limit the market's accessibility to a wider audience. These financial barriers pose a risk of alienating price-sensitive consumers and hindering overall participation. Despite these challenges, the economic importance of music tourism remains clear; for instance, UK Music reported that music tourism contributed 10 billion pounds to the United Kingdom's economy in 2024. Market Driver The proliferation of mega-tour circuits by prominent artists has fundamentally altered travel patterns, making concert attendance a key driver for international tourism. This phenomenon, often termed "gig tripping," motivates fans to travel across borders for coveted, often sold-out, performances, thereby generating substantial revenue for airlines and local hospitality sectors. By strategically scheduling these tours in new regions, artists can access untapped markets, directly boosting regional economies through the influx of visitors. Live Nation Entertainment's 'Fourth Quarter 2024 Results' in February 2025 indicated a 60% increase in its stadium show pipeline for the upcoming year, demonstrating the aggressive scaling of tour circuits to meet global demand. Simultaneously, the growth of international music festivals and live events provides the necessary infrastructure to accommodate this expanding visitor base. Major ticketing platforms and promoters are improving event accessibility through digital integration, simplifying travel logistics for consumers planning to attend festivals abroad. This robust infrastructure supports a high volume of tourists, reinforcing the sector's integral role within the experience economy. According to CTS Eventim's 'Annual Report 2024' in March 2025, 103.4 million tickets were sold online that year, indicating strong consumer demand. This heightened activity translates into considerable financial success across the industry; Pollstar's '2024 Year End Analysis' in December 2024 revealed that the top 100 worldwide tours generated a record gross of $9.5 billion, underscoring the market's strong economic trajectory. Market Challenge The increasing burden of operational and travel expenses represents a significant obstacle to the growth of the global music tourism sector. As costs associated with venue logistics, technical production, and international artist tours climb, event organizers are forced to pass these financial pressures onto consumers through elevated ticket prices. This pricing dynamic creates a substantial barrier, effectively excluding price-sensitive groups like students and younger travelers, who traditionally form a large part of the festival audience. Consequently, the market faces potential stagnation in volume growth as the financial feasibility of cross-border music experiences diminishes. Furthermore, this supply-side volatility undermines market stability, as rising overheads compel event organizers to reduce capacity or outright cancel events, removing crucial inventory that stimulates tourism. In 2024, the Association of Independent Festivals reported that unpredictable rising costs led to the cancellation or postponement of over 60 festivals in the United Kingdom alone. When established events vanish from the calendar, the sector loses vital attractions that drive regional travel and spending, directly impeding the broader economic momentum of the music tourism market. Market Trends The adoption of sustainable and eco-conscious initiatives by festivals is fundamentally transforming operational benchmarks as organizers strive to reduce the environmental impact of large-scale events. This trend extends beyond mere marketing, incorporating stringent carbon auditing, the elimination of single-use plastics, and the conversion to renewable energy sources for stage productions. Increasingly, major festivals are implementing circular economy principles, requiring vendors to use compostable materials and encouraging attendees to opt for low-carbon travel to maintain their social license to operate. This operational evolution is reflected in measurable improvements in waste diversion across the sector. A Greener Future's 'Annual Festival Sustainability Insights 2024' report, released in April 2025, showed that the average recycling rate among assessed global festivals rose to 49% for the year, indicating a clear shift towards closed-loop resource management within the live events market. Additionally, destinations are strategically adopting "Music City Branding" as a potent tool for regional economic development, repositioning music from a cultural amenity to a primary driver of visitor spending. Municipalities are formalizing this approach by appointing dedicated night-time economy officers, preserving historic venues, and curating year-round music calendars to attract both domestic and international visitors outside of peak festival seasons. This policy-driven focus enables cities to leverage their musical heritage to boost hospitality, transport, and retail sectors, effectively integrating music ecosystems into broader tourism master plans. The employment impact of this strategic alignment is significant, extending beyond temporary event staff; The Musicians' Union reported in July 2025 that the live music tourism sector supported 72,000 full-time equivalent jobs in the UK in 2024, confirming the effectiveness of embedding music infrastructure into local economic frameworks. Key Market Players * Live Nation Entertainment, Inc. * Eventbrite, Inc. * Ticketmaster Entertainment, LLC * StubHub Holdings, Inc. * CTS Eventim AG & Co. KGaA * DEAG Deutsche Entertainment AG * AEG Presents, LLC * SFX Entertainment, Inc. * Fever Labs, Inc. * Viagogo AG Report Scope In this report, the Global Music Tourism Market has been segmented into the following categories, in addition to the industry trends which have also been detailed below: # Music Tourism Market, By Event * Concert * Festival * Others # Music Tourism Market, By Age Group * 18 And Less * 18 - 34 Years * 34 - 54 Years * 55+ Years # Music Tourism Market, By Booking Mode * Direct Booking * Travel Agents * Online Travel Agencies # Music Tourism Market, By Region * North America United States Canada Mexico * Europe France United Kingdom Italy Germany Spain * Asia Pacific China India Japan Australia South Korea * South America Brazil Argentina Colombia * Middle East & Africa South Africa Saudi Arabia UAE Competitive Landscape Company Profiles: Detailed analysis of the major companies present in the Global Music Tourism Market. Available Customizations: Global Music Tourism Market report with the given market data, TechSci Research offers customizations according to a company's specific needs. The following customization options are available for the report: Company Information * Detailed analysis and profiling of additional market players (up to five).
目錄 Table of Contents
1. Product Overview 1.1. Market Definition 1.2. Scope of the Market 1.2.1. Markets Covered 1.2.2. Years Considered for Study 1.2.3. Key Market Segmentations 2. Research Methodology 2.1. Objective of the Study 2.2. Baseline Methodology 2.3. Key Industry Partners 2.4. Major Association and Secondary Sources 2.5. Forecasting Methodology 2.6. Data Triangulation & Validation 2.7. Assumptions and Limitations 3. Executive Summary 3.1. Overview of the Market 3.2. Overview of Key Market Segmentations 3.3. Overview of Key Market Players 3.4. Overview of Key Regions/Countries 3.5. Overview of Market Drivers, Challenges, Trends 4. Voice of Customer 5. Global Music Tourism Market Outlook 5.1. Market Size & Forecast 5.1.1. By Value 5.2. Market Share & Forecast 5.2.1. By Event (Concert, Festival, Others) 5.2.2. By Age Group (18 And Less, 18 - 34 Years, 34 - 54 Years, 55+ Years) 5.2.3. By Booking Mode (Direct Booking, Travel Agents, Online Travel Agencies) 5.2.4. By Region 5.2.5. By Company (2025) 5.3. Market Map 6. North America Music Tourism Market Outlook 6.1. Market Size & Forecast 6.1.1. By Value 6.2. Market Share & Forecast 6.2.1. By Event 6.2.2. By Age Group 6.2.3. By Booking Mode 6.2.4. By Country 6.3. North America: Country Analysis 6.3.1. United States Music Tourism Market Outlook 6.3.1.1. Market Size & Forecast 6.3.1.1.1. By Value 6.3.1.2. Market Share & Forecast 6.3.1.2.1. By Event 6.3.1.2.2. By Age Group 6.3.1.2.3. By Booking Mode 6.3.2. Canada Music Tourism Market Outlook 6.3.2.1. Market Size & Forecast 6.3.2.1.1. By Value 6.3.2.2. Market Share & Forecast 6.3.2.2.1. By Event 6.3.2.2.2. By Age Group 6.3.2.2.3. By Booking Mode 6.3.3. Mexico Music Tourism Market Outlook 6.3.3.1. Market Size & Forecast 6.3.3.1.1. By Value 6.3.3.2. Market Share & Forecast 6.3.3.2.1. By Event 6.3.3.2.2. By Age Group 6.3.3.2.3. By Booking Mode 7. Europe Music Tourism Market Outlook 7.1. Market Size & Forecast 7.1.1. By Value 7.2. Market Share & Forecast 7.2.1. By Event 7.2.2. By Age Group 7.2.3. By Booking Mode 7.2.4. By Country 7.3. Europe: Country Analysis 7.3.1. Germany Music Tourism Market Outlook 7.3.1.1. Market Size & Forecast 7.3.1.1.1. By Value 7.3.1.2. Market Share & Forecast 7.3.1.2.1. By Event 7.3.1.2.2. By Age Group 7.3.1.2.3. By Booking Mode 7.3.2. France Music Tourism Market Outlook 7.3.2.1. Market Size & Forecast 7.3.2.1.1. By Value 7.3.2.2. Market Share & Forecast 7.3.2.2.1. By Event 7.3.2.2.2. By Age Group 7.3.2.2.3. By Booking Mode 7.3.3. United Kingdom Music Tourism Market Outlook 7.3.3.1. Market Size & Forecast 7.3.3.1.1. By Value 7.3.3.2. Market Share & Forecast 7.3.3.2.1. By Event 7.3.3.2.2. By Age Group 7.3.3.2.3. By Booking Mode 7.3.4. Italy Music Tourism Market Outlook 7.3.4.1. Market Size & Forecast 7.3.4.1.1. By Value 7.3.4.2. Market Share & Forecast 7.3.4.2.1. By Event 7.3.4.2.2. By Age Group 7.3.4.2.3. By Booking Mode 7.3.5. Spain Music Tourism Market Outlook 7.3.5.1. Market Size & Forecast 7.3.5.1.1. By Value 7.3.5.2. Market Share & Forecast 7.3.5.2.1. By Event 7.3.5.2.2. By Age Group 7.3.5.2.3. By Booking Mode 8. Asia Pacific Music Tourism Market Outlook 8.1. Market Size & Forecast 8.1.1. By Value 8.2. Market Share & Forecast 8.2.1. By Event 8.2.2. By Age Group 8.2.3. By Booking Mode 8.2.4. By Country 8.3. Asia Pacific: Country Analysis 8.3.1. China Music Tourism Market Outlook 8.3.1.1. Market Size & Forecast 8.3.1.1.1. By Value 8.3.1.2. Market Share & Forecast 8.3.1.2.1. By Event 8.3.1.2.2. By Age Group 8.3.1.2.3. By Booking Mode 8.3.2. India Music Tourism Market Outlook 8.3.2.1. Market Size & Forecast 8.3.2.1.1. By Value 8.3.2.2. Market Share & Forecast 8.3.2.2.1. By Event 8.3.2.2.2. By Age Group 8.3.2.2.3. By Booking Mode 8.3.3. Japan Music Tourism Market Outlook 8.3.3.1. Market Size & Forecast 8.3.3.1.1. By Value 8.3.3.2. Market Share & Forecast 8.3.3.2.1. By Event 8.3.3.2.2. By Age Group 8.3.3.2.3. By Booking Mode 8.3.4. South Korea Music Tourism Market Outlook 8.3.4.1. Market Size & Forecast 8.3.4.1.1. By Value 8.3.4.2. Market Share & Forecast 8.3.4.2.1. By Event 8.3.4.2.2. By Age Group 8.3.4.2.3. By Booking Mode 8.3.5. Australia Music Tourism Market Outlook 8.3.5.1. Market Size & Forecast 8.3.5.1.1. By Value 8.3.5.2. Market Share & Forecast 8.3.5.2.1. By Event 8.3.5.2.2. By Age Group 8.3.5.2.3. By Booking Mode 9. Middle East & Africa Music Tourism Market Outlook 9.1. Market Size & Forecast 9.1.1. By Value 9.2. Market Share & Forecast 9.2.1. By Event 9.2.2. By Age Group 9.2.3. By Booking Mode 9.2.4. By Country 9.3. Middle East & Africa: Country Analysis 9.3.1. Saudi Arabia Music Tourism Market Outlook 9.3.1.1. Market Size & Forecast 9.3.1.1.1. By Value 9.3.1.2. Market Share & Forecast 9.3.1.2.1. By Event 9.3.1.2.2. By Age Group 9.3.1.2.3. By Booking Mode 9.3.2. UAE Music Tourism Market Outlook 9.3.2.1. Market Size & Forecast 9.3.2.1.1. By Value 9.3.2.2. Market Share & Forecast 9.3.2.2.1. By Event 9.3.2.2.2. By Age Group 9.3.2.2.3. By Booking Mode 9.3.3. South Africa Music Tourism Market Outlook 9.3.3.1. Market Size & Forecast 9.3.3.1.1. By Value 9.3.3.2. Market Share & Forecast 9.3.3.2.1. By Event 9.3.3.2.2. By Age Group 9.3.3.2.3. By Booking Mode 10. South America Music Tourism Market Outlook 10.1. Market Size & Forecast 10.1.1. By Value 10.2. Market Share & Forecast 10.2.1. By Event 10.2.2. By Age Group 10.2.3. By Booking Mode 10.2.4. By Country 10.3. South America: Country Analysis 10.3.1. Brazil Music Tourism Market Outlook 10.3.1.1. Market Size & Forecast 10.3.1.1.1. By Value 10.3.1.2. Market Share & Forecast 10.3.1.2.1. By Event 10.3.1.2.2. By Age Group 10.3.1.2.3. By Booking Mode 10.3.2. Colombia Music Tourism Market Outlook 10.3.2.1. Market Size & Forecast 10.3.2.1.1. By Value 10.3.2.2. Market Share & Forecast 10.3.2.2.1. By Event 10.3.2.2.2. By Age Group 10.3.2.2.3. By Booking Mode 10.3.3. Argentina Music Tourism Market Outlook 10.3.3.1. Market Size & Forecast 10.3.3.1.1. By Value 10.3.3.2. Market Share & Forecast 10.3.3.2.1. By Event 10.3.3.2.2. By Age Group 10.3.3.2.3. By Booking Mode 11. Market Dynamics 11.1. Drivers 11.2. Challenges 12. Market Trends & Developments 12.1. Merger & Acquisition (If Any) 12.2. Product Launches (If Any) 12.3. Recent Developments 13. Global Music Tourism Market: SWOT Analysis 14. Porter's Five Forces Analysis 14.1. Competition in the Industry 14.2. Potential of New Entrants 14.3. Power of Suppliers 14.4. Power of Customers 14.5. Threat of Substitute Products 15. Competitive Landscape 15.1. Live Nation Entertainment, Inc. 15.1.1. Business Overview 15.1.2. Products & Services 15.1.3. Recent Developments 15.1.4. Key Personnel 15.1.5. SWOT Analysis 15.2. Eventbrite, Inc. 15.3. Ticketmaster Entertainment, LLC 15.4. StubHub Holdings, Inc. 15.5. CTS Eventim AG & Co. KGaA 15.6. DEAG Deutsche Entertainment AG 15.7. AEG Presents, LLC 15.8. SFX Entertainment, Inc. 15.9. Fever Labs, Inc. 15.10. Viagogo AG 16. Strategic Recommendations 17. About Us & Disclaimer

提及公司

1 Live Nation Entertainment, Inc.2 Eventbrite, Inc.3 Ticketmaster Entertainment, LLC4 StubHub Holdings, Inc.5 CTS Eventim AG & Co. KGaA6 DEAG Deutsche Entertainment AG7 AEG Presents, LLC8 SFX Entertainment, Inc.9 Fever Labs, Inc.10 Viagogo AG

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